Look up ‘Hard Working’ in the dictionary and sitting next to the honey bee, and the wheelbarrow you will find a picture of Matt Nukewood.

Considered to be one of the most diligent and passionate DJ’s from peers and punters alike, Matt has transformed over the last 4 years into one of the most respected and in demand DJ’s on the Australian circuit.

You don’t have to just take our word for it, the accolades speak for themselves with Matt taking home 3D World’s (Sydney’s premier street press) DJ of the year award, A current InTheMix Top 50 ranking of #23 in Australia, a regular staple of the Sydney festival circuit performing at Stereosonic, Good Vibrations, Parklife, Future Music Festival, Global Gathering, Space and more.
Staying true to his labour of love Matt can call city venues such as Soho & Chinese Laundry home, He also holds down residencies at suburban venues Mean Fiddler, Mac Tavern, Northies, Roxy and Mona Vale Hotel and headlining Interstate venues from Brisbane to Melbourne, Gold Coast to Canberra, Adelaide to Auckland and even dropping by Es Paradis in Ibiza.

With his feet firmly planted in realms of house music, Matt flys the house flag high effortlessly moving between big room driving basslines, relentless grooves, melodic overtones, and a good splash of electro all rolled into one seamless show.
Matt to date has kept company with some of the world’s finest, supporting the likes of Sharam, Steve Angello, Laidback Luke, Afrojack, Skrillex, Sebastien Leger, Chris Lake, Deadmau5, Axwell, Sebastien Leger, Fedde Le Grande, Klaas, Tom Novy, Ferry Corsten, Felix Da Housecat, The Chemical Brothers, Sven Vath, Roger Sanchez, Erick Morillo, Tocadisco, David Guetta, Kaskade, Basement Jaxx & Derrek Carter.

When not performing solo, Matt also makes up one half of Night Dimension with good mate Implex. Night Dimension are not only making a mark show wise but also on the production front with a heap of remixes, bootlegs and originals already out on show.

With young, talented and established artists like Nukewood in the scene, it is safe to say that the future of solid house music is in safe hands.